9:25ĭescription: offering table, upper temple of the jaguar, showing warrior figures holding up the top to the large flat surface identified as either a table, bench or "altar.Taking place mostly during the late nineteenth century, the research of Augustus Le Plongeon and his wife Alice Dixon Le Plongeon, within the field of archeology, a discipline still in its infancy yet dominated largely by male inflections upon cultural narratives, were inspired by the earlier drawings of English artist, architect and explorer, Frederick Catherwood and the contemporary discovery of the ancient, mythical city of Troy (in modern day Turkey) by amateur explorer Heinrich Schliemann, who, armed with only a copy of Homer’s ‘Illiad’ and his intuitive passion for archeology, discovered the lost city, along with a cache of golden artefacts he dubbed ‘Priam's Treasure’, later to be identified as the mask of Agamemnon. Freidel, A Forest of Kings: The Untold Story of the Ancient Maya 1990:376, Fig. 9:7ĭescription: two warriors left = warrior dressed as gi from panel, north wall, lower temple of the jaguar right = warrior figure from panel 1 at x'telhu Freidel, A Forest of Kings: The Untold Story of the Ancient Maya 1990:354, Fig. Freidel, A Forest of Kings: The Untold Story of the Ancient Maya 1990:355:9:8ĭescription: panel d and panel c showing multiple lords dressed as warriors and captives dressed as deer all standing on the body of an open-mouthed serpent. 9:13ĭescription: panel showing two lords standing over a supplicating captive. Freidel, A Forest of Kings: The Untold Story of the Ancient Maya 1990:361, Fig. 9:18bĭescription: south column, temple 6e1 showing multiple warriors, carrying knives, axes, and spears, facing each other. Freidel, A Forest of Kings: The Untold Story of the Ancient Maya 1990:366, Fig. Notes: drawing after morris, charlot and morris 1931. 3:28ĭescription: four sides of column 40 from colonnade, temple of the warriors, showing warriors in middle register. Parker, Maya Cosmos: Three Thousand Years on the Shaman's Path, 1993:159, Fig.
Iconographic Features: Serpent Way, Supernatural Animal Companion outer walls have been interpreted as representing itzam-yeh manifesting a way ("supernatural animal companion") from the otherworld. 7:26ĭescription: temple of the warriors, entryway with feathered rattlesnake piers and chak mool. Parker, Maya Cosmos: Three Thousand Years on the Shaman's Path 1993:322, Fig. Iconographic Features: Astronomy Scorpion Avian included are a furry animal, two skeletal dancers, rampant eagle, human ritualist with brazier, scorpion, and dog-like animal. 7:27ĭescription: various iconic elements used at chichen itza.ĭescription: details of fragment from the exterior mural, north wall, temple of the warriors. Parker, Maya Cosmos: Three Thousand Years On The Shaman's Path, 1993:326, Fig. Freidel, A Forest of Kings: The Untold Story of the Ancient Maya 1990:374, Fig.
CHAC MOOL DRAWING CODE
Mathews, The Code of Kings: The Language of Seven Sacred Maya Temples and Tombs 1998:237, Fig. scene shows battle involving captain sun disk and serpent warriors in front of a maya town. 9:19ĭescription: detail of southwest panel of painted mural, upper temple of the jaguar, great ballcourt. Freidel, A Forest of Kings: The Untold Story of the Ancient Maya 1990:270, Fig. Iconographic Features: Warfare Seat, Bench, Throne Notes: drawing after morris, charlot and morris 1931 9:9ĭescription: fragments of north bench, inner chamber, temple of chak mool, showing multiple warriors seated on jaguar seats. Freidel, A Forest of Kings: The Untold Story of the Ancient Maya 1990:355, Fig.
9:15ĭescription: panel showing a seated lord dressed as deity and named as cahal. Freidel, A Forest of Kings: The Untold Story of the Ancient Maya 1990:363, Fig. 6.40(C1)Ĭlick to view high resolution in a new windowĭescription: various kinship phrases, including from top, a = lintel 3, temple of the 3 lintels b = temple of the one lintel c = lintel 3, monjas d - lintel 3a, monjas
Mathews, The Code of Kings: The Language of Seven Sacred Maya Temples and Tombs 1998:243, Fig. Description: chac mool from south building, great ballcourt, showing figure reclining on his side with legs drawn up and holding a cup.
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